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Prizes:
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2006 |
C.O.A.A. "Crossection" 2006 Show, Juror's Choice Award |
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Feb. 11, 2005 |
1st prize, Visual Arts Mississauga Annual Show |
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Feb. 5, 2005 |
People's Choice Award, Mississauga Art Gallery |
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Oct. 22, 2004 |
People's Choice Award, Mississauga Art Society |
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April 3, 2004 |
People's Choice Award, Mississauga Art Society |
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Feb. 14, 2003 |
Second Place Fine Art, Visual Arts Mississauga |
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Jan. 23, 2003 |
Honorable Mention, Delta Meadowvale Artists of the Year Association |
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July 15, 2002 |
Juror's Award, Annual Art Exhibition, Neilson Park Creative Centre |
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Top - Biography - Prizes - Studies - On Impressionism | |
Studies: |
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- Banff School of Fine Arts, drawing - Ecole des Beaux Arts, oil painting - Visual Arts Westmount, oil painting - Loyola College, sculpture - Louise Bernard Seekings, watercolor - Visual Arts Mississauga, acrylic and oil painting - John Leonard, oil painting and drawing - Dermot McKeown, oil painting - Denis Cliff, oil painting |
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Top - Biography - Prizes - Studies - On Impressionism |
ON IMPRESSIONISMA simplistic definition of Romantic Impressionism would be that it is a style of composition which evokes subtle moods and impressions. Further, the term encircles that group of artists, such as Monet, Renoir, Pisarro, Cezanne, Degas and others who broke away from the French Salon with its dull traditions. It was a movement which dealt with the nature of light diffraction and diffusion and enabled the painters to create new, more natural ways of rendering light effects. This was done by making use of natural light as it hit surfaces in an effort to create the illusion of changing light and colour. Palettes became more vivid and quick isolated strokes, blurred outlines and pure pigments were used, ignoring the accepted laws of colour and form.As colours and emotions are interrelated, i.e. red rage, green with envy and so on, the execution of impressionist painting becomes a highly personal work. Yellow, orange, blue - any colour - can represent something beyond the reach of rationality. While we know that the physical combination of blue and yellow equals green, the impressionist gets the same effect by allowing the eye to make its own mixture of colours, causing them to be more vibrant and luminous. I try to fuse what I see into statements in my paintings which are, in fact, revelations of me. Colour and warmth are so powerful in my view that looking into some paintings should be an experience like staring into a fire, unfolding the essence of my soul. In my landscapes, my goal is to give a heightened expression of the life around us. Light in dusk, brownish-red soil, bluish-gray skies aglow with pink, green-orange vegetation - all of it is full of poetry. I like to squeeze colours straight from the tube onto the canvas, mixing and modelling with the brush. This was not something I learned, but something I feel and from such indulgence, the effect I want is born. I use brilliant colour as it speaks more powerfully and directly to the viewer. Colour is a lyrical realism and a personal symbolism. My favorite artists are Van Gogh and Canadian, Emily Carr, as they represent to me all of the above and both used colours and their complements with greater effect than any other artist to date.
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